I read all of John Irving's novels before I was out of high school. At the time, there were only four: Setting Free the Bears, The Water Method Man, the 158 Pound Marriage, and The World According to Garp. They all made a huge impression on me, and I still remember many details from them all these decades later, especially Bears and Garp.
Later, I would eagerly read The Hotel New Hampshire, The Cider House Rules, and A Prayer for Owen Meany when they were released. The ending of Owen Meany may have put me off Irving; it was possibly just too tragic, but it might have also been the nine years that passed between the publication of that book and the next. In any case, I haven't finished a John Irving novel since 1989.
Even so, I was excited to see that at the age of 83, John Irving has a new novel, his fifteenth. Published just last week, Queen Esther is a prequel of sorts for The Cider House Rules, and although I am only about two-thirds of the way through, I'm struck by how many themes and plot points there are in the story that I recognize from his earliest works.
For example, the main character, a wrestler, spends a year in Austria as an exchange student. There is also a boys' boarding school in New Hampshire, characters who are early supporters of abortion rights, children raised by parents other than their birth parents, as well as a cast of wacky, idiosyncratic characters (including one named Siegfried), not to mention one who is planning to injure another so that he is exempt from the draft.
Obviously, I'm not the same reader I was back in the 70s and 80s, but experiencing this novel is like a combination of a window on the past and a funhouse mirror: nostalgic, oddly familiar, yet not. Some parts are humorous and edgy, while others are cringey and uncomfortable, and I find myself going back and forth between wanting to read the entire Irving canon and wishing this book were over.
Maybe it's just a case of what John Irving said himself in The Cider House Rules. “What is hardest to accept about the passage of time is that the people who once mattered the most to us wind up in parentheses.”