That's what my dad used to say when he knew I was excited about something but he just couldn't really fathom the appeal. I'm sure other dads said things like Mm hmm, and That's interesting, or maybe even That's great, sweetheart.
I haven't thought about it in years, and I have no idea where he picked it up, but it's kind of cool, right?
Thursday, August 11, 2011
Wednesday, August 10, 2011
Locating...
Earlier in the summer I activated the "find my iphone/ipad" option on both of our phones and the ipad as well. I thought it might be handy in the event that we lose or misplace our devices, but since then I've only used it for one thing-- to find Heidi when she is lost and then to give her directions so that she can get back.
Aaah. There she is now!
Aaah. There she is now!
Tuesday, August 9, 2011
No More Explosions, Please
After a summer of blockbuster movies attended, for the most part, with teenaged boys, it was a not unwelcome change to find myself among a sedate, older crowd (we were by far the youngest patrons in the theater) at the local multiplex. The film? Midnight in Paris by Woody Allen, and friends? It did not disappoint.
Monday, August 8, 2011
Jitters
My nephew, who lives in Atlanta, started kindergarten today. For us northern folk, who reported to our classrooms nearly to the end of June, it seems a little early; school for our students is still four weeks away, but it's close enough for us to be mindful that the beginning of the year is a transition, and starting at a new school can be especially rough.
I was lucky enough to teach both of my older nephews when they were in sixth grade-- having them in my classroom made me much more empathetic to the students' experiences, and I'm a much better teacher because of that. My heart clenched a bit today when I heard that Richard cried a little on his first day of school. Even though the teacher in me recognizes that it's perfectly normal for some kids to feel anxious and emotional in a new situation, especially one as important as school, I was still sorry that any child, especially one I really really love, had to feel that way, and so I resolved to make this year the smoothest transition ever from elementary to middle school for the kids who are coming my way in just a few short weeks.
I was lucky enough to teach both of my older nephews when they were in sixth grade-- having them in my classroom made me much more empathetic to the students' experiences, and I'm a much better teacher because of that. My heart clenched a bit today when I heard that Richard cried a little on his first day of school. Even though the teacher in me recognizes that it's perfectly normal for some kids to feel anxious and emotional in a new situation, especially one as important as school, I was still sorry that any child, especially one I really really love, had to feel that way, and so I resolved to make this year the smoothest transition ever from elementary to middle school for the kids who are coming my way in just a few short weeks.
Sunday, August 7, 2011
Read All About It
It's Sunday, and I spent my morning in a traditional way-- drinking coffee and reading the paper. Early on in the morning, I read the most compelling piece, certainly of the day, but probably of the last six months. In his New York Times op/ed piece, Drew Westen, an Emory University professor of psychology, dissects what he sees as the primary weakness of the Obama presidency so far, starting with inauguration day. It's a fascinating read that rang a lot of bells for me personally.
I like his analysis of the importance of story-telling in the human experience (although I anticipate objections of readers who will complain that he is arguing that our leaders must treat us as children who cannot comprehend facts and thus must be fed parables), and I also appreciate his take on how bullies behave. His "bending the arc of history" metaphor, borrowed from Dr. Martin Luther King Jr., was right on, as was his point that "After a great technological revolution or a major economic transition, as when America changed from a nation of farmers to an urban industrial one, there is often a period of great concentration of wealth, and with it, a concentration of power in the wealthy." In times such as those, Teddy Roosevelt worked to bust the monopolies, and Franklin Roosevelt set in motion the great society.
To emphasize the relevance of these historic cycles, Westen reminds us that in the US today, 400 people control more of the wealth than 150 million of their fellow Americans.
Now that's some story.
I like his analysis of the importance of story-telling in the human experience (although I anticipate objections of readers who will complain that he is arguing that our leaders must treat us as children who cannot comprehend facts and thus must be fed parables), and I also appreciate his take on how bullies behave. His "bending the arc of history" metaphor, borrowed from Dr. Martin Luther King Jr., was right on, as was his point that "After a great technological revolution or a major economic transition, as when America changed from a nation of farmers to an urban industrial one, there is often a period of great concentration of wealth, and with it, a concentration of power in the wealthy." In times such as those, Teddy Roosevelt worked to bust the monopolies, and Franklin Roosevelt set in motion the great society.
To emphasize the relevance of these historic cycles, Westen reminds us that in the US today, 400 people control more of the wealth than 150 million of their fellow Americans.
Now that's some story.
Saturday, August 6, 2011
Momento Mori
"It was kind of gruesome, with all the skeletons and stuff..." I was telling my mom about one of the exhibits I saw the other day on my big museum trip.
"I would think that was right up your alley," she replied, and I shrugged, but because she couldn't see me do that through the phone line, I elaborated:
"Well, there were a lot of skeletons! Even a baby and a fetus..." I trailed off, and she agreed that such things might be difficult to see.
Our conversation moved on, but I'm still thinking about that part of it. She's right, not so long ago I was fascinated by forensic science. I was one of the legion who lined Patricia Cornwell's deep pockets, anxiously awaiting the next Scarpetta novel. One of my Christmas presents in 1990 was a workshop at the Smithsonian on forensic anthropology. Back in those days, nothing was too gorey or gross for me.
Twenty years on, my tolerance for such things has definitely diminished. I suspected as much (it started with the movies-- there were just some violent scenes that I found disturbing), but I noticed it for sure a few weeks ago when Josh and I were watching a NatGeo Explorer episode about the severed feet that keep washing up in Seattle and Vancouver. As riveting as it was, the graphic footage of the Body Farm, the time-elapsed shots of an underwater pig carcass, and even scientists shopping Home Depot for the perfect amputation tool and then testing it out on a cadaver all caused me to flinch a little.
Why?
"I would think that was right up your alley," she replied, and I shrugged, but because she couldn't see me do that through the phone line, I elaborated:
"Well, there were a lot of skeletons! Even a baby and a fetus..." I trailed off, and she agreed that such things might be difficult to see.
Our conversation moved on, but I'm still thinking about that part of it. She's right, not so long ago I was fascinated by forensic science. I was one of the legion who lined Patricia Cornwell's deep pockets, anxiously awaiting the next Scarpetta novel. One of my Christmas presents in 1990 was a workshop at the Smithsonian on forensic anthropology. Back in those days, nothing was too gorey or gross for me.
Twenty years on, my tolerance for such things has definitely diminished. I suspected as much (it started with the movies-- there were just some violent scenes that I found disturbing), but I noticed it for sure a few weeks ago when Josh and I were watching a NatGeo Explorer episode about the severed feet that keep washing up in Seattle and Vancouver. As riveting as it was, the graphic footage of the Body Farm, the time-elapsed shots of an underwater pig carcass, and even scientists shopping Home Depot for the perfect amputation tool and then testing it out on a cadaver all caused me to flinch a little.
Why?
Friday, August 5, 2011
Sad Sack
How come we never hear about the happy sacks?
I've mentioned how enamored I am of those little nylon drawstring bags. Ever since I turned my Spiderman one over to Richard, I have been on the hunt for another. It's not that they are hard to come by, but rather that I really wanted a "good" one, so even though it had been over a month, I still didn't have one yesterday when I went downtown to visit a couple of museums. (I know, I know, when I first saw the middle school kids with them, I thought they were silly, but if you haven't tried one, you'll have to take my word as a convert about how handy they are.)
I think the reason I like them so much is because I really do not like carrying a purse. The sensory issues involved with holding it, wearing it, watching out for it, etc. are too much for me. Nor do I like carrying anything in my hands. That leaves my pockets, and even pared down, my essential possessions, ID, debit card, 2 keys, money,and phone, that's a lot of stuff to cram in the pockets of my shorts. The beauty of the string bag is that all of that can go in there, and then the bag itself floats, nearly weightlessly, from your shoulders. Or it would have, if I happened to own one.
Luckily for me, at our first stop, my friend Mary accurately predicted that the museum gift shop might sell them. In no time, I was sporting a slick little purple bag with a cool caption, CREATIVITY TAKES COURAGE, by Matisse, and boy oh boy, I was a happy tourist after that. Until...
At the next museum we visited, I cheerfully presented my bag to the guard for inspection. "I don't need to see that," he told me, "but all bags must be worn in front of your body or held in your hand to the side."
My first reaction is almost always compliance, and since the bag was already in my hand, I let it drop to my side, and entered the gallery. I did slip it on frontways as we made our way to the exhibit we had come to see, but that just felt funny and looked silly. With a sigh, I carried my bag, until I was out of sight of any guards and then I slung it on my back defiantly. I did not want to be scolded by any museum personnel, but I did not understand the reasoning behind the rule, and so I was not motivated to follow it.
Eventually, another guard called me out for wearing the bag, and I dragged it along beside me the rest of the way through the museum, supremely disgruntled, the whole triumph of its acquisition nearly ruined. Fortunately, at our next stop, bags were allowed to be worn as they were intended, and being the owner of a cool purple nylon string bag became a good thing again.
As I chafed under the draconian bag rules of the other museum, though, my thoughts naturally turned to the students in our school. So often it is when they don't understand or buy into the rationale behind our rules and policies that they do not honor them.
I get that.
I've mentioned how enamored I am of those little nylon drawstring bags. Ever since I turned my Spiderman one over to Richard, I have been on the hunt for another. It's not that they are hard to come by, but rather that I really wanted a "good" one, so even though it had been over a month, I still didn't have one yesterday when I went downtown to visit a couple of museums. (I know, I know, when I first saw the middle school kids with them, I thought they were silly, but if you haven't tried one, you'll have to take my word as a convert about how handy they are.)
I think the reason I like them so much is because I really do not like carrying a purse. The sensory issues involved with holding it, wearing it, watching out for it, etc. are too much for me. Nor do I like carrying anything in my hands. That leaves my pockets, and even pared down, my essential possessions, ID, debit card, 2 keys, money,and phone, that's a lot of stuff to cram in the pockets of my shorts. The beauty of the string bag is that all of that can go in there, and then the bag itself floats, nearly weightlessly, from your shoulders. Or it would have, if I happened to own one.
Luckily for me, at our first stop, my friend Mary accurately predicted that the museum gift shop might sell them. In no time, I was sporting a slick little purple bag with a cool caption, CREATIVITY TAKES COURAGE, by Matisse, and boy oh boy, I was a happy tourist after that. Until...
At the next museum we visited, I cheerfully presented my bag to the guard for inspection. "I don't need to see that," he told me, "but all bags must be worn in front of your body or held in your hand to the side."
My first reaction is almost always compliance, and since the bag was already in my hand, I let it drop to my side, and entered the gallery. I did slip it on frontways as we made our way to the exhibit we had come to see, but that just felt funny and looked silly. With a sigh, I carried my bag, until I was out of sight of any guards and then I slung it on my back defiantly. I did not want to be scolded by any museum personnel, but I did not understand the reasoning behind the rule, and so I was not motivated to follow it.
Eventually, another guard called me out for wearing the bag, and I dragged it along beside me the rest of the way through the museum, supremely disgruntled, the whole triumph of its acquisition nearly ruined. Fortunately, at our next stop, bags were allowed to be worn as they were intended, and being the owner of a cool purple nylon string bag became a good thing again.
As I chafed under the draconian bag rules of the other museum, though, my thoughts naturally turned to the students in our school. So often it is when they don't understand or buy into the rationale behind our rules and policies that they do not honor them.
I get that.
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